Thayer Symphony Orchestra


   
 
Due to unforseen circumstances, this concert has been cancelled.


                       Peter VS the Wolf

                                  May 5, 2007 3:30 PM

                                     by Justin Locke


                                   
JustinLocke


       
"Peter VS. the Wolf" begins with the sounds of a prison break, with a police radio
        announcing that the Wolf has just escaped from the zoo. To elude the police pursuit,
        the Wolf runs into the concert hall, and he pleads his case with the audience.
        He tells the audience he never ate the duck, claims that he was "framed," and then
        begins to tell the story of what happened at his trial.
       
        The lights then come up on the stage, where we see the orchestra and a courtroom,
        with the Judge, the District Attorney, Peter, the Court Reporter, and the Wolf.
        The DA then proceeds to present the "narrator's affidavit" as to what happened in
        the meadow on the day of the alleged "duckicide."

        With the DA narrating, the orchestra plays Prokofiev's "Peter and the Wolf"
        as written, broken up into five sections. At the end of each section, the Wolf
        calls one of each family of instruments to the stand, and cross-examines them.
        The Wolf's questions are a vehicle for each instrument being individually
        demonstrated and explained.

        With all of the evidence tossed out, it looks like the Wolf is about to be found
        innocent. But Peter, bright and resourceful as ever, points out that besides the
        instruments that have already testified, there are two other instruments in
        "Peter and the Wolf" which have "no character": the trumpet and the trombone.
        In spite of the Wolf's objections, the Judge allows them to testify, and they
        play a brief dixieland version of the story. This testimony, combined with the
        Wolf having an awful tummy ache whenever the duck theme is played, results
        in some confusion on the part of the Judge. She seeks the expert opinion of the
        audience and the orchestra, and, based on that advice, finds him guilty.
       

        The Wolf pleads his case with the audience, to no avail. He then turns himself
        in, only to discover that he has been pardoned by the governor; but before the
        show ends, the truth of the matter is revealed to the audience in no uncertain
        terms.
 
 



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